Rap gets religious, but is it gospel?
By Natalie Kopkinson of The Washington Post
“We at war with terrorism, racism, but most of all we at war with
ourselves.”
—Kanye West, “Jesus Walks”
It seemed at long last that commercial rap had finally come to Jesus.
Thanks to “Jesus Walks,” a hit single by hip-hop superproducer-turned-artist
Kanye West, His name has been blasting over car stereos, moving taut bodies
in the clubs and racing up the mainstream hip-hop charts all summer.
“I’m just trying to say,” West raps, “The way
school need teachers/ The way Kathie Lee needed Regis/ That’s the
way y’all need Jesus/ So here go my single, dog/ Radio needs this.”
The single vaulted onto Billboard’s Hot 100 and has stayed there
for 21 weeks running, and three versions of the “Jesus Walks”
video are spinning heavily on MTV and on BET’s rap and gospel programs.
And when West’s debut album, “The College Dropout,”
was selected for a spot on the ballot for best rap/hip-hop album by gospel’s
prestigious Stellar Awards last month—right next to God’s
Little Soldiers, the Christian boys choir—it seemed a new day in
gospel had arrived.
There have been crossovers—usually religious artists such as Kirk
Franklin and Amy Grant moving into the pop charts—but mainstream
hip-hop had never infiltrated the gospel world to this extent.
Not everyone was pleased. The Stellar Committee got nearly 100 letters
and e-mails expressing outrage.
Several threatened to boycott the Jan. 15 awards, said Erma Gray Davis,
president of Central City Productions, which produces the awards.
Last week, the Stellar Committee announced it was sending out 4,000 new
ballots—minus West—to its voting academy. “It was a
mistake,” Davis said. “Even though that song was wonderful,
that was not a gospel album. Kanye, we love you darling; don’t be
upset with us. It’s not personal.”
The flap has got some folks asking age-old questions, such as: What is
gospel?
Is it supposed to reach sinners or the converted?
The choir or the street?
It’s also presented new ones: Can one walk with Jesus and still
do unmentionables with Lil’ Kim, as West fantasizes in another song?
Would Jesus bling? (He will in West’s new religious-themed jewelry
line produced in partnership with Jacob “The Jeweler” Arabo,
baublemaker to the rap stars.)
Would the Savior wear a crown of diamond-set thorns?
West isn’t offering any answers.
Several calls to his publicist, Gabe Tesoriero, were not returned this
week.
There are those who believe West did belong on the Stellar ballot. “I
think it is gospel,” said Mark Anthony Neal, associate professor
of black popular culture at Duke University and author of several books
about black music.
“I think we have to think more broadly about what gospel is.”
Neal says black popular music has always had a spiritual foundation, and
hip-hop is no different. Everyone from Run-DMC to Tupac to Nas has openly
celebrated and debated religion. Religion and spirituality are themes
throughout “The College Dropout,” he says.
Several songs, such as “2 Words,” featuring the Boys Choir
of Harlem, are even more overtly religious than “Jesus Walks”:
“So I live by two words/ (Expletive), pay me/Screamin’ Jesus
save me/ You know how the game be/ I can’t let ’em change
me/ Cuz on Judgment Day/You gon’ blame me/ Look God, it’s
the same me.”
To reach beyond church audiences, Neal says, many contemporary gospel
artists avoid the words “God” or “Jesus,” opting
to sing about, say, relationships.
But when West, a mainstream rapper, explicitly—sometimes expletively—grapples
with his religion, his work is dismissed, says Neal.
“It’s shortsighted of the folks at Stellar Awards not to affirm
an artist trying to do that,” he said.
The Rev. Matthew Watley, youth minister at Reid Temple AME Church in suburban
Washington, disagrees.
“It probably never should have been on the ballot,” he said.
“I think that Kanye’s offering is sort of like a Hostess snack.
It’s a good quick something to ingest, but probably not enough to
make a full diet for a person seriously committed to their faithful orientation.”
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